3 Modal Interchange Progressions 📚🎸Join my PATREON to support this content and get acess to 250 Lessons with PDF (link in Bio) #jazzguitar #guitarsong #guitarlessons #guitartips #guitarteacher #guitartabs #guitarlicks #guitarchords #guitarsolo #guitar #guitarra #guitarraelectrica #guitarist #guitarplayer | David Ovejero
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3 Modal Interchange Progressions 📚🎸Join my PATREON to support this content and get acess to 250 Lessons with PDF (link in Bio) #jazzguitar #guitarsong #guitarlessons #guitartips #guitarteacher #guitartabs #guitarlicks #guitarchords #guitarsolo #guitar #guitarra #guitarraelectrica #guitarist #guitarplayer | David Ovejero
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Hiroshi Fukutomi on Instagram: "Exploring chord progressions using secondary dominants and modal interchange. Here's a breakdown of the harmony. Imaj7 – V7 – ♯Vdim7 – VIm7 – IVmaj7 Imaj/3 – IVmaj7 – V7sus – ♭VII7 Imaj7 – IIm7(♭5) – III7 – IVmaj7 – ♭VIIm7 – ♭III7 – VIm7 – II7 – ♭VI7 – ♭VII7 – Imaj7 The secondary dominants in this progression are III7 (V7/VI), II7 (V7/II), and ♭III7 (subV7/II), but none of them resolve directly to their expected target chords. Instead, they are used more for color
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