Raag Bilawal / Shuddh Bilawal Tutorial. Chalan followed by a Tintal Bandish. S G R G P N D N S' S' N D P M G R G P.M G R S Not to use ,NSGRGP - n - GMRS- GMP like Alhaiya As per KPM Madhyam in Arohi Ang ( GMP ) and komal Ni makes it Alhaiya Bilawal. Always SGRG and MGRS D G Vadi Samvadi S G P Nyaas Maayi Mai Manko Maan Na Tyaago Tyaago Mayaaki Mad Janam Siraayo Raam Bhajan Nahi Laagyo #bilawal #bilawalmoumitamitra #shuddhbilawal #shuddhbilawalmoumitamitra #bilawaltutorial #shudhbilawaltutorial #

Raag Anand Bhairav Tutorial. Various chalans. Alap. Tintal self composed bandish Bhairav ThaaT M S Vaadi Samvaadi M=shuddh Versions Most commonly accepted is Poorvang Bhairav and Uttarang Bilawal /Alhaiya Bilawal 1. SrGMPMPS' as per Kramik Pustak Malika S'DnP MGMrS 2. SrGMP MPS'NS' as per notation of Ustad Ali Akbar Khan S'NS' DnP GMPGMrS 3. SrGMPDNS' S'NDPMGrS as per Suryakaanti/Suryakaantam Mel 4. SrGMPDNS' S'NDnPMGMrS 5. SGMP GMDNS' as per Pandit Ravi Shankar's rendition S'NDnPMG rGMP GMrS 6.

Morning Riyaaz Tutorial. Mandra and Madhya Saptak. Hum, Aakaar and Aakaar Taans. Raag Alhaiya Bilawal Pitch A #warmup #morningriyaz #warmuptutorial #vocalwarmup #morningriyazmoumitamitra #vocalwarmupmoumitamitra #morningriyaztutorialmoumitamitra | Moumita Mitra