“Technology is not neutral. We’re inside of what we make, and it’s inside of us. We’re living in a world of connections—and it matters which ones get made and unmade.” – Donna Haraway We are connected ...
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Art21 is a celebrated global leader in presenting thought-provoking and sophisticated content about contemporary art, and the go-to place to learn first-hand from the artists of our time. A nonprofit ...
ARTnews Awards, a new editorial project honoring excellence in art achievements at US arts institutions, has announced the inaugural winners for its 2024 edition. To help select the winners, ARTnews ...
From his studio in Cairo, artist Salah Elmur sifts through memories held in the “boxes of his mind” to paint dream-like images of life in Khartoum, Sudan, the home he longs to return to. Referencing ...
Mark Bradford was born in Los Angeles, California, in 1961. He received a BFA (1995) and MFA (1997) from the California Institute of the Arts in Valencia. Bradford transforms materials scavenged from ...
Glenn Ligon was born in the Bronx, New York, in 1960. Ligon’s paintings and sculptures examine cultural and social identity through found sources—literature, Afrocentric coloring books, photographs—to ...
William Kentridge was born in Johannesburg, South Africa, in 1955. He attended the University of the Witwatersrand, Johannesburg (1973–76), Johannesburg Art Foundation (1976–78), and studied mime and ...
Trenton Doyle Hancock was born in 1974 in Oklahoma City, Oklahoma. Raised in Paris, Texas, Hancock earned his BFA from Texas A&M University, Commerce, and his MFA from the Tyler School of Art at ...
Rashid Johnson was born in 1977 in Chicago, Illinois, and lives and works in New York. Johnson, who got his start as a photographer, works across media—including video, sculpture, painting, and ...
Martin Puryear was born in Washington, DC, in 1941. In his youth, he studied crafts and learned how to build guitars, furniture, and canoes through practical training and instruction. After earning ...
Artist Martin Puryear discusses his work’s connection to the history of abstraction and the inspiration for his 1996 installation piece, “Ladder for Booker T. Washington.” ART21: Your work is often ...