"Boop! The Musical" is a blissful ... music that you couldn’t put a time frame on,” he explains, with numbers that feel both contemporary and of Betty’s 1930s heyday. Need a break?

Performances in N.Y.C. Advertisement Supported by The It girl with the spit curl looks great for 100, but her Broadway musical, which feels like one big merch grab, is boop-boop-a-don’t.

Unlike Barbie, who has had a ubiquitous cultural presence for decades, Betty Boop is a Depression-era cartoon character of a jazz-age flapper, and in looks, attitude and style, she is of her time ...

Betty Boop never really went away ... I think Jasmine Amy Rogers just becomes Betty from the first to the last frame. More importantly, if you watch her face at any time during the two plus ...

Foster was first approached about “Boop!” 15 years ago by producer Bill Haber. The goal was “to write music that you couldn’t put a time frame on,” he explains, with numbers that feel both ...